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Eight Hours To Glory, the 82nd Airborne during the Salerno Invasion
Print Size: 19" X 31"
Chosin Fires
by James Dietz
In the history of warfare, many battles have made manifest the fact that when forces join on the field of battle, Field Artillery firepower is the element of combat that makes a difference. Such was the case in late November and early December 1950 at the Chosin Reservoir, in the Republic of Korea.

This epic conflict, characterized by misery, cold, exhaustion, and sacrifice, portrays an epic 17-day struggle between primarily U.S. and Chinese Communist Forces. To say the conditions were tough is an understatement. The bitter cold cut so deeply that the men became numb and the equipment ceased operating. When the opportunity arose to change boots, soldiers could see the ice crystals that had formed between their toes; some died while advancing, merely from the shock of the coldness. The fluid in the howitzers recoil systems became more like glue, and at night, the only way to keep the men and the guns warm was to keep them firing. That worked out well, as there was no shortage of targets.

The Chinese military had sent 10 Divisions, 120,000 of its very best troops south that November with orders to annihilate the US and its allies "to the last man.” These were not farmers or conscripts; most of the Chinese troops were veterans of the victorious campaigns against Chiang Kai-shek's Nationalist forces. They came to Chosin looking for a fight, and that’s just what they got.

The battle at Chosin was ripe for heavy firepower, but the sea was 70 miles away, thus no naval gunfire; and the weather was often unfit for flying, thus affecting air support. Just as so many times before, consistent firepower was in the able hands of the King of Battle – the Field Artillery. The Chinese Communist Forces didn’t count on the ferocity or the tenacity of American soldiers and marines, nor did they anticipate the shocking blow they would be dealt by the Redlegs sent to keep watch over them.

Outnumbered six to one, the Allied forces chose retrograde operations, and began the long march through narrow, mountainous defiles south to Hagaru-Ri. Field Artillery of every kind supported the U.S. forces: Army and Marine Corps, light and heavy cannons; towed and self-Propelled howitzers; Active and Reserve Forces destroying enemy targets with direct and indirect fires. Many redlegs alternated between fighting as artillerymen or as infantry, whatever the battle required, while leapfrogging their way back to relative safety.

This vast mix of fire support came together to create effects so devastating to the enemy that when it was over, the nearly impossible had happened: seven of the ten Chinese Communist divisions were destroyed, and would never see combat again during the Korean War. America sacrificed many lives during those 17 days in the winter 1950, but in the end, what should statistically have been an irrefutable annihilation of American troops, was a lesson in Field Artillery and Firepower for our foes.

Determined forces of freedom lived to tell the story of those 17 days: of the unbearable cold, of the impossible odds, of the loss of comrades, and of the times when the effects of Field Artillery made the impossible suddenly seem possible, the hopeless seem attainable. These men, these heroes, will never forget the extraordinary role that they and their “Chosin Fires” played in an unforgettable chapter of our Field Artillery heritage.

 

PUBLISHER PROOF EDITION:
250 Limited Edition, Signed and Numbered prints
$175.00 + $15.00 SH
(PA residents please add 6% sales tax)

 

 

Jim Dietz has gained international recognition in aviation, military and automotive art circles for his unique approach to these genres. "The people, settings and costumes are what make early 20th Century history exciting and romantic to me." It is this feeling that makes Jim Dietz and his artwork so different from his contemporaries. Rather than simply illustrate hardware, Jim prefers to portray human involvement, to show in his paintings the interaction between man and machine-after all, he says, "it is the people who make machines great-by design, by operation and by dedication."

A native of San Francisco, Jim graduated from Art Center College of Design in 1969 and began a successful illustration career in Los Angeles. The subject matter varied from automobiles to action scenes to romantic book covers. A steady flow of work from New York clients enabled Jim and his wife to move to Seattle in 1978, where he began to fulfill his dream of specializing in historical

Artist Jim Dietz with "Silencing The Guns" signer Major Richard Winters.

aviation, automotive and military art. His clients have included Boeing, Bell Helicopter, Federal Express, Allison, Cessna, Flying Tigers, the Indianapolis 500, BMW, the National Guard and many U.S. Army organizations and associations.

Jim lives in Seattle with his wife, Patti, son, lan and his Australian Shepherd, Tazzy, who is seen often in Jim's paintings. His studio resembles a World War I aviator's bar, filled with flying and automotive memorabilia, wooden props and model airplanes.

VValor Studios has the aviation art of John D. Shaw featuring John D. Shaw's Blacksheep Squadron, John D. Shaw's Hornet's Nest print signed by the Doolittle Raiders, John D. Shaw's Band of Brothers print We Were a Band of Brothers, John D. Shaw's By The Dawn's Early Light, John D. Shaw's The Warrior and the Wolfpack, and John D. Shaw's They Fought With What They Had. We also carry the work of Jim Dietz, including his new print "Silencing the Guns", which shows the men of Easy Company, better known as the Band of Brothers. The print is hand signed by Major Dick Winters, leader of Easy Company, along with Buck Compton, Bill Guarnere, and Don Malarkey. Dick Winters was instrumental in this project. Dick Winters also autographed each print. Dick Winters proudly said Silencing the Guns represents his legacy. Dick Winters also signed We Were a Band of Brothers by John D. Shaw.