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In
the history of warfare, many battles have made manifest the fact that when
forces join on the field of battle, Field Artillery firepower is the element
of combat that makes a difference. Such was the case in late November and
early December 1950 at the Chosin Reservoir, in the Republic of Korea.
This
epic conflict, characterized by misery, cold, exhaustion, and sacrifice,
portrays an epic 17-day struggle between primarily U.S. and Chinese Communist
Forces. To say the conditions were tough is an understatement. The bitter
cold cut so deeply that the men became numb and the equipment ceased operating.
When the opportunity arose to change boots, soldiers could see the ice
crystals that had formed between their toes; some died while advancing,
merely from the shock of the coldness. The fluid in the howitzers recoil
systems became more like glue, and at night, the only way to keep the
men and the guns warm was to keep them firing. That worked out well, as
there was no shortage of targets.
The Chinese military
had sent 10 Divisions, 120,000 of its very best troops south that November
with orders to annihilate the US and its allies "to the last man.”
These were not farmers or conscripts; most of the Chinese troops were
veterans of the victorious campaigns against Chiang Kai-shek's Nationalist
forces. They came to Chosin looking for a fight, and that’s just
what they got.
The battle at Chosin
was ripe for heavy firepower, but the sea was 70 miles away, thus no naval
gunfire; and the weather was often unfit for flying, thus affecting air
support. Just as so many times before, consistent firepower was in the
able hands of the King of Battle – the Field Artillery. The Chinese
Communist Forces didn’t count on the ferocity or the tenacity of
American soldiers and marines, nor did they anticipate the shocking blow
they would be dealt by the Redlegs sent to keep watch over them.
Outnumbered six to
one, the Allied forces chose retrograde operations, and began the long
march through narrow, mountainous defiles south to Hagaru-Ri. Field Artillery
of every kind supported the U.S. forces: Army and Marine Corps, light
and heavy cannons; towed and self-Propelled howitzers; Active and Reserve
Forces destroying enemy targets with direct and indirect fires. Many redlegs
alternated between fighting as artillerymen or as infantry, whatever the
battle required, while leapfrogging their way back to relative safety.
This vast mix of fire
support came together to create effects so devastating to the enemy that
when it was over, the nearly impossible had happened: seven of the ten
Chinese Communist divisions were destroyed, and would never see combat
again during the Korean War. America sacrificed many lives during those
17 days in the winter 1950, but in the end, what should statistically
have been an irrefutable annihilation of American troops, was a lesson
in Field Artillery and Firepower for our foes.
Determined forces
of freedom lived to tell the story of those 17 days: of the unbearable
cold, of the impossible odds, of the loss of comrades, and of the times
when the effects of Field Artillery made the impossible suddenly seem
possible, the hopeless seem attainable. These men, these heroes, will
never forget the extraordinary role that they and their “Chosin
Fires” played in an unforgettable chapter of our Field Artillery
heritage.
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aviation, automotive and
military art. His clients have included Boeing, Bell Helicopter, Federal Express,
Allison, Cessna, Flying Tigers, the Indianapolis 500, BMW, the National Guard
and many U.S. Army organizations and associations.
Jim lives in Seattle with
his wife, Patti, son, lan and his Australian Shepherd, Tazzy, who is seen
often in Jim's paintings. His studio resembles a World War I aviator's bar,
filled with flying and automotive memorabilia, wooden props and model airplanes.
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VValor
Studios has the aviation art of John D. Shaw featuring John D. Shaw's Blacksheep
Squadron, John D. Shaw's Hornet's Nest print signed by the Doolittle Raiders,
John D. Shaw's Band of Brothers print We Were a Band of Brothers, John D. Shaw's
By The Dawn's Early Light, John D. Shaw's The Warrior and the Wolfpack, and
John D. Shaw's They Fought With What They Had. We also carry the work of Jim
Dietz, including his new print "Silencing the Guns", which shows the
men of Easy Company, better known as the Band of Brothers. The print is hand
signed by Major Dick Winters, leader of Easy Company, along with Buck Compton,
Bill Guarnere, and Don Malarkey. Dick Winters was instrumental in this project.
Dick Winters also autographed each print. Dick Winters proudly said Silencing
the Guns represents his legacy. Dick Winters also signed We Were a Band of Brothers
by John D. Shaw. |
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