Pfc.
Sid Phillips knew he was a long way from his home in Mobile, Alabama, when
he entered the jungles of Guadalcanal in August 1942. A mortarman with H-Company
of the 1st Marines (the same company as Robert Leckie), Sid was 17 years old
when he entered combat with the Japanese. Some two years later, when he returned
home, the jungle fighting on Guadalcanal and, later, Cape Gloucester, had
turned Sid Phillips into an “Old Timer” by Marine standards, and
more: he left as a boy, but came home, a man.
Print
Size: 16" x 20"
fits a ready made frame
All
prints are sold unframed
Only 950
limited edition prints worldwide, each hand autographed by Sid Phillips
and artist Matt Hall.
Purchase
Matt Hall's
"Guadalcanal Marine"
print and autographed
"You'll Be Sor-ree!" book together & save!
INTERNATIONAL:
$129.95 +
$60
AIRMAIL
USA:
$129.95 +
$20
SH
(CO residents add 4% tax)
Prints
are sold unframed
All
prints are sold unframed
Purchase
Matt Hall's Portraits of Valor together & save! Package
includes:
Guadalcanal Marine Sid Phillips*, signed by Phillips *contact us for an adjusted set price if you previously
purchased this print
Peleliu Marine R.V. Burgin, signed by Burgin
Iwo Jima Marines John Basilone & Chuck Tatum, signed by Tatum
INTERNATIONAL:
$195 +
$40
EXPRESS AIRMAIL SH
USA:
$195 + $15
SH
(CO residents add 4% tax)
Click
play on the video below to watch a short clip about signer Sid Phillips featuring
Tom Hanks & Steven Spielberg!
MATT
HALL
Now acknowledged as the
rising talent in military art, Matt Hall worked for years under master visionary,
Steven Spielberg, at Spielberg’s DreamWorks company! These days, however,
Matt no longer paints to serve the icons of Hollywood—he paints to pay
tribute to America’s military heroes.
Matt’s
artistic training began as a boy in Missouri, when he met an old-time western
artist named Bob Tommy, who just moved from Texas. Tommy encouraged Matt to
try his hand at painting. When Tommy saw Matt’s “natural talent,”
he became Matt’s mentor and taught him the technique he had amassed
in his lifetime of work.
In
college, Matt studied painting. After graduation, he broadened his skills,
painting everything
from greeting cards to animation backgrounds.
His career changed forever when Spielberg’s DreamWorks company found
and hired him. Matt brought and his new bride, Michele, a Texas small-town
girl, with him to Hollywood.
At
DreamWorks, Matt rose through the ranks, painting concept art. When Steven
Spielberg had an idea brewing about the Battle for Iwo Jima, Matt painted
an “epic
concept” for him
that Spielberg used to pitch the film, Flags of Our Fathers. Soon, Matt was
named Franchise Art Director for DreamWorks’ Medal of Honor video games
series, one credited with generating interest in WWII history among young
people.
Matt grew as an artist
through Spielberg’s critiques. “I learned from Steven Spielberg
the value of listening to my ‘creative instincts’” Matt
explained. “A lot of times, marketing dictates if an idea will be well-received,
but Spielberg would often fly against the grain, if he believed in an idea.
There was a time when the marketing guys said ‘WWII is done and dead,”
but Spielberg followed his instincts and passion and made Saving Private Ryan!”
There, Matt discovered
that he, too, possessed a passion to tell the stories of America’s war
heroes when DreamWorks had him create paintings for the Congressional Medal
of Honor Society. Working from just a citation and a portrait of a long-deceased
MOH recipient, Matt brought their stories back to life. There, he discovered
his calling.
Then,
in summer 2008, Matt underwent brain surgery to remove a growth behind his
eye. “It was a wake-up call,” Matt explained. “It got me
thinking, ‘What kind of legacy will my art leave? Will it tell a story
of something important? Will it be something people will appreciate 50 or
100 years from now? It was tough to look in mirror and say ‘maybe not’
since the art I was doing would be locked away in a vault once it served its
purpose."
After Matt’s surgery,
Valor Studios, a prominent publisher of military art came to Matt with an
offer to publish him. Valor Studios had seen Matt’s work for DreamWorks
and asked if he wanted to paint full time to honor the heroes of military
past and present? Matt heartily agreed. “It was an epiphany on a lot
of levels,“ he explained, “Spiritually, artistically, and career-wise.
Like that leap of faith when I went to paint for Hollywood, I’ve now
decided to follow my passion and paint the stories of men and women whose
legacies need to be preserved.”
Valor
Studios and Matt Hall wish to thank the following for their assistance with
this project:
Marvin Schroeder and Eric Carlson